The word I had in my mind when it finished was 'pleasant'. Which may feel a bit like damning with faint praise but is in fact just faint praise. Like, I enjoyed it the whole way through, and I probably liked it a bit more than Superman (2025). But that movie takes some big swings, this one just does exactly what you'd expect in a very competent way, less hyperactive way. It feels like the flipside of that movie - drops you in media res, lots of catch up to do, does what is needed to keep the cinematic universe on track (for DCU, a big bold explosive Everything Is Happening movie, for MCU a movie that feels a bit different to the others and is confident enough to not do much and just be well made - to not be Brave New World, basically). I liked the characters, I thought Galactus was cool and scary, I was invested in the drama, there was some good action and lots of delicious production design. And it's (unavoidably) unfair that the 60s setting and branding and all that may get dismissed as a good starting point that got fumbled, because it is a big strength of the movie and if some incredibly diligent spoiler-avoider went to see the new MCU movie and got hit with this, they'd be blown away by the audacity of setting it in the retro-futuristic 60s of a parallel Earth and the skill with which that is done.
Thursday, 24 July 2025
The Fantastic Four: First Steps (2025)
The word I had in my mind when it finished was 'pleasant'. Which may feel a bit like damning with faint praise but is in fact just faint praise. Like, I enjoyed it the whole way through, and I probably liked it a bit more than Superman (2025). But that movie takes some big swings, this one just does exactly what you'd expect in a very competent way, less hyperactive way. It feels like the flipside of that movie - drops you in media res, lots of catch up to do, does what is needed to keep the cinematic universe on track (for DCU, a big bold explosive Everything Is Happening movie, for MCU a movie that feels a bit different to the others and is confident enough to not do much and just be well made - to not be Brave New World, basically). I liked the characters, I thought Galactus was cool and scary, I was invested in the drama, there was some good action and lots of delicious production design. And it's (unavoidably) unfair that the 60s setting and branding and all that may get dismissed as a good starting point that got fumbled, because it is a big strength of the movie and if some incredibly diligent spoiler-avoider went to see the new MCU movie and got hit with this, they'd be blown away by the audacity of setting it in the retro-futuristic 60s of a parallel Earth and the skill with which that is done.
Wednesday, 23 July 2025
Superman (2025)
Saturday, 12 July 2025
Thunderbolts* (2025)
The banter's good and not just Marvel Quipping, the actors are good. Halfway through I was thinking "this is what the tv shows should have been like!"
There are some flaws - it loses energy once or twice, sometimes a bunch of the team fall out of focus for too long in a way that someone like Joss Whedon wouldn't allow, and while it's great that it has some themes they get extremely literal and blunt and not in quite an inventive enough way to push the climax over the top.
But I was still onboard by the end of the movie and I'd be happier to see more of the Thunderbolts than of the New Guardians Of The Galaxy, say.
Sunday, 8 June 2025
Star Trek: Deep Space Nine (1993 - 1999)
Note: most of these are my posts copied over from a Star Trek group-watch going through the entire series in broadcast order, rather than properly written reviews.
DS9 S01E01&E02 'Emissary' Stardate 46379.1 Broadcast date 1993-01-03.
Wow, that pilot is a lot! There's so much stuff in there. A lot to like, too. Opening with the big action of Wolf 359 and also making it part of Sisko's backstory is a great idea. It's nice and crunchy to have a series crossover where the one lead can barely stand to be in the same room as the other. There's a ton of fun sci-fi concepts thrown in, like Odo, Dax and the wormhole inhabitants, and a bunch of fun characters introduced. The dialogue is a little pulpy and the acting is mostly naturalistic and earthy but with some Wild West and even Shakespearian tones thrown in here and there. And the concept of using a non-linear species to discuss grief is great. It's all directed and edited really nicely.
Probably the main negative to my mind, in fact, is that there's too much in there! It still feels like a show finding its feet, albeit more enthusiastically than TNG's beginnings. There's the Wild West vibe of a new sheriff arriving in town, meeting the locals and trying to clean things up, prophecies, a quest for a mystical MacGuffin, encountering a new species, and developing galactic politics. There's space battles and O'Brien kicking machinery to get it going, there's extended hallucinatory sequences. There are about ten different acting styles, most of them coming from Avery Brooks. It's a serialised show set on a space station and yet they're already off on missions, moving the station to a different location and introducing a second big local political football.
Basically, I enjoyed it, I think it's more successful than TNG's pilot, and I appreciate the energy, but also look forward to the show refining and controlling that energy a little more.
DS9 S01E03 'Past Prologue' Stardate Unknown Broadcast date 1993-01-10.
This one was okay. I do like the relatively complicated set-up of various factions all working their own angles, and the divided loyalties and priorities that Kira (and presumably others in the future) has to deal with. It didn't feel particularly deep or resonant here, but it's a good baseline to start from for a second episode. Also liked the Klingon sisters showing up, the doctor being a young naive dope rather than the usual worldly-wise grump/sage that we usually get, and the introduction of Garak who seems like a fun Varys-esque character.
DS9 S01E04 'A Man Alone' Stardate 46421.5 Broadcast date 1993-01-17.
I thought this one was really strong, a great mission statement of what this show can, or at least one mode of it. Winding between the multiple stories, with complex blocking and showy oners, overlapping them in the plot a little, showing the different styles of story that can co-exist like detective, domestic, romantic, and hinting at the continuing clash of cultures on the station.
Granted the detective story wasn't particularly deep or elaborate, but it was interesting enough and served well to highlight power structures and character histories. This episode made me more excited about the show's potential than Past Prologue did, certainly.
DS9 S01E05 'Babel' Stardate 46423.7 Broadcast date 1993-01-24.
I really liked the opening of this episode, O'Brien running around putting out fires and the station being in a state of unreliability that we're not used to after so much time spent on the Enterprise. There's in-built tension here before the plot even gets going. Then the idea of the rapid-onset aphasia is great. Though it's a shame they gave the game away so early with that shot of the doohickey in the replicator - why the hell did they make that choice?! It feels like the whole thing is set up to drop subtle but fair hints and then have a nice reveal when Odo catches Quark and works it out, but then they decided that audiences were too thick or impatient to wait fifteen minutes? Anyway, after that, I was looking forward to a Darmok style episode where the crew quickly fall victim to the virus and have to find non-verbal ways of communicating and solving the problem. Instead they all catch it very slowly and, conveniently, after providing their individual contribution to the solution, and then drop out of the story. The language aspect to the virus may as well not be included, they could just instantly fall unconscious for all the plot function they have once they become symptomatic. So yeah, a very slow investigation and a vague last-minute ticking clock didn't really stand up to my expectations.
DS9 S01E06 'Captive Pursuit' Stardate Unknown Broadcast date 1993-01-31.
I really enjoyed this one! It was a bit slow, but in a considered, purposeful way. I liked the Enemy Mine style growing friendship between O'Brien and Tosk (curiously similar reptilian alien name to Bossk!), the designs and culture of the new races, and just as I thought it was running out of steam, they had O'Brien come up with a smart solution. Guest actors were good, too.
I did think it was a little odd that they had that opening bit about Quark legally obligating his staff into sleeping with him only to not only immediately drop it but then have a couple of sympathetic comedy scenes with him. Stuff that didn't get thought about as much in early 90s tv, I guess.
It's funny that they've come up with this way to still have them encounter new species and have to think about the Prime Directive etc in the same way as the Enterprise shows - they just have the strange new worlds come to them via the wormhole!
DS9 S01E07 'Q-Less' Stardate 46531.2 Broadcast date 1993-02-07.
This is a rough one. A complete waste of Q (I normally like his episodes and it was pretty cool to see him show up on DS9!) and aside from him a very dull and predictable episode. I think I liked Vash okay on TNG too, and she didn't get much to do here either.
The only good bit was the Promethean stone thing turning out to be an egg instead of just exploding. Even the "Picard never punched me!" scene was worse than I remember, because Q literally puts Sisko in a boxing ring with him and punches him several times. I expect Picard probably would have punched him at that point. I had it in my head as happening in Sisko's office, Q saying something particularly obnoxious and getting caught off-guard by a Sisko haymaker. (I probably was also picturing bald goatee Sisko!)
Also, I'm not sure why, but the SD/HD gap was much more noticeable this episode, it as pretty ugly. That opening scene especially felt like watching a contemporary episode of Neighbours.
DS9 S01E08 'Dax' Stardate 46910.1 Broadcast date 1993-02-14.
Just watched the cold open and uh oh ,think I'm starting to dislike Bashir. The 'hopeless romantic/gadabout' act is starting to curdle into creepy, and he was absolutely fucking useless in that fight. Almost knocked himself out against a wall by punching someone and then just stopped fighting because, what, he was so surprised that his opponent was a woman? It's the 24th fucking century, Julian!
Turned out to be a solid episode. Trials and hearings are always strong ground in Trek, and this one works nicely with the symbiotic nature of Trills giving it some unique things to argue about, and the different members of the crew going off to investigate different areas (even if really only Odo did much there). And wow, what a guest cast - Gregory Itzin, Fionnula Flannigan and Anne Haney, all doing good work. Oh, also cool to see DC Fontana get a credit on another Trek show!
Really the main drawback here was that it was fairly obvious what the truth was as soon as Enina confirmed that someone leaked the route - it's going to be someone we know about and that list is limited. Plus the overplayed sad look a few moments later when she hears Curzon Dax died makes it obvious that they were lovers, so Jadzia is keeping quiet to cover for her. Admittedly, though, I did guess that this meant Enina leaked the route, so I didn't get it 100% but then it's a bit weird that the general leaked his own route so I'm not surprised I didn't guess that. I suppose the implication is that he wanted them to pick him up so he could escape with them?
Also, might have been nice to get this episode after we'd gotten to know Jadzia a little better so we'd be invested despite her silence and we'd have experienced the quirks of Trill life directly a bit more.
Anyway, enjoyed it, and I continue to enjoy them experimenting with what this show can be. Feels like they have a LOST style approach at the moment - we have this ensemble of characters with different jobs, strengths etc, so at any time we can do a different genre of show.
DS9 S01E09 'The Passenger' Stardate Unknown Broadcast date 1993-02-21.
Unfortunately I spoiled myself on the reveal for this one, so I can't say how obvious I would have found it, but as a Child's Play fan I suspect I would have clocked immediately! Otherwise, it was okay but pretty slow. Kind of hard to find anything to say about it.
I liked the opening scene with Bashir, where he was bragging and it clicked with me 'ohhh, they're writing him as an oblivious jackass', which they've been much closer to achieving than, I dunno, likable horndog. Maybe this is just what they're trying out with him this week, though. I also appreciated Siddig doing a different voice for the evil guy, because I often feel disappointed in body possession episodes of any show when the actor doesn't really change their speech patterns or posture or anything like that, but it just doesn't really work here because it's an 'impression' of a character we haven't met and basically all he does is put a pause between each word. I would have preferred if he stuck with the Voldemort whisper from when he grabbed Quark, I think!
DS9 S01E10 'Move Along Home' Stardate Unknown Broadcast date 1993-03-14.
I didn't like it that much. It has the seed of a good idea - they're trapped in the game figuring out riddles while Quark is also playing at a meta-level both using and resisting his gambler instincts to help them out. But it's all so overwrought and cheesy. There's a lot of over-acting in this show and it gets amplified here (mainly Siddig and Visitor), plus I hate it when an alien species is just some guy with awful facial hair and some doodles on his face. It's all a bit shallow, the connection between Quark's actions and the players' fates is ill-defined, and the threat is so vague as to be unconvincing.
Also, not particularly happy that Starfleet security officer is still around. I figured he was a one-and-done character. Feels like another Bashir right now.
DS9 S01E11 'The Nagus' Stardate Unknown Broadcast date 1993-03-21.
I found this one a bit slow, especially for the first two acts, and the Jake sub-plot is pretty flat and mostly serves to make Sisko look like a dick - angry at his son for no good reason, resigned to humans and Ferengi never getting along, and then acting all smug like he's had some big character growth moment when all he's done is spy on his son and see that he should have continued to trust him after all. The A-story does pick up once Quark gets named Grand Nagus, though, and it's fun to see more Ferengi culture. A bunch of great character actors brought in to play them all, too.
DS9 1-12 'Vortex' Stardate Unknown Broadcast date 1993-04-18.
Yeah, I found this one solid and satisfying if not particularly sophisticated in any way. The parts all work and fit together just fine, but agreed that it feels very tropey.
One subtlety I enjoyed, though, was how it can be easily inferred that Odo tarnished his honour by letting the two people go because between that and the emotional work required in taking on a surrogate daughter it was the lesser of two evils for him!
group-watch in progress
Saturday, 7 June 2025
Conclave (2024)
Tuesday, 3 June 2025
Here (2024)
Wednesday, 28 May 2025
Mission: Impossible - The Final Reckoning (2025)
SPOILERS BELOW
Bit of a disappointment after the high standards of so many previous ones. It's all very 'this might be the last one, global stakes' portentous and slow, it doesn't keep a light touch while maintaining the stakes and not winking at camera, unlike the best of them. There aren't any classic M:I heists or anything like that, and the action scenes weren't that thrilling; it's weird, this one felt more like it was COVID-affected than the last one did.
I didn't even really care about Luther dying, it just felt so rushed and perfunctory - why was he ill, how did Gabriel find him? Speaking of which, we never really found out the deal with Gabriel and Ethan's backstory, never got a proper confrontation between them. And the Entity doesn't have a personality so that can't really be the baddy either. Not that an M:I film needs one - Ghost Protocol did fine - but it helps! And all the 'Ethan must reckon with all his mistakes, This Is His Final Reckoning' stuff didn't work either - the Jim Phelps thing was so gratuitous, why should Ethan feel like he needs redemption on that front? And then the guy is like, I don't care about what happened with my father, I just think you're a maverick. And then there's Donlowe - I really liked them bringing him back and keeping him as part of the team, that was great, but of all the things Ethan has to atone for, it's getting this office drone reassigned? And then they contrive it so he did the guy a big favour! The whole thing just felt a bit rushed and unpolished, I think they really got a little high on their own supply and bit off more than they could chew with these last two entries.
Rating: It's okay, but I think probably my least favourite of all of them. I'd probably rather rewatch MI2 again than this one because as cheesy as it is, at least it's an hour shorter and it's got some proper action in it.