Sunday, 8 June 2025

Star Trek: Deep Space Nine (1993 - 1999)

Note: most of these are my posts copied over from a Star Trek group-watch going through the entire series in broadcast order, rather than properly written reviews.

DS9 S01E01&E02 'Emissary' Stardate 46379.1 Broadcast date 1993-01-03.
Wow, that pilot is a lot! There's so much stuff in there. A lot to like, too. Opening with the big action of Wolf 359 and also making it part of Sisko's backstory is a great idea. It's nice and crunchy to have a series crossover where the one lead can barely stand to be in the same room as the other. There's a ton of fun sci-fi concepts thrown in, like Odo, Dax and the wormhole inhabitants, and a bunch of fun characters introduced. The dialogue is a little pulpy and the acting is mostly naturalistic and earthy but with some Wild West and even Shakespearian tones thrown in here and there. And the concept of using a non-linear species to discuss grief is great. It's all directed and edited really nicely.
Probably the main negative to my mind, in fact, is that there's too much in there! It still feels like a show finding its feet, albeit more enthusiastically than TNG's beginnings. There's the Wild West vibe of a new sheriff arriving in town, meeting the locals and trying to clean things up, prophecies, a quest for a mystical MacGuffin, encountering a new species, and developing galactic politics. There's space battles and O'Brien kicking machinery to get it going, there's extended hallucinatory sequences. There are about ten different acting styles, most of them coming from Avery Brooks. It's a serialised show set on a space station and yet they're already off on missions, moving the station to a different location and introducing a second big local political football.
Basically, I enjoyed it, I think it's more successful than TNG's pilot, and I appreciate the energy, but also look forward to the show refining and controlling that energy a little more.

DS9 S01E03 'Past Prologue' Stardate Unknown Broadcast date 1993-01-10.
This one was okay. I do like the relatively complicated set-up of various factions all working their own angles, and the divided loyalties and priorities that Kira (and presumably others in the future) has to deal with. It didn't feel particularly deep or resonant here, but it's a good baseline to start from for a second episode. Also liked the Klingon sisters showing up, the doctor being a young naive dope rather than the usual worldly-wise grump/sage that we usually get, and the introduction of Garak who seems like a fun Varys-esque character.

DS9 S01E04 'A Man Alone' Stardate 46421.5 Broadcast date 1993-01-17.
I thought this one was really strong, a great mission statement of what this show can, or at least one mode of it. Winding between the multiple stories, with complex blocking and showy oners, overlapping them in the plot a little, showing the different styles of story that can co-exist like detective, domestic, romantic, and hinting at the continuing clash of cultures on the station.
Granted the detective story wasn't particularly deep or elaborate, but it was interesting enough and served well to highlight power structures and character histories. This episode made me more excited about the show's potential than Past Prologue did, certainly.

DS9 S01E05 'Babel' Stardate 46423.7 Broadcast date 1993-01-24.
I really liked the opening of this episode, O'Brien running around putting out fires and the station being in a state of unreliability that we're not used to after so much time spent on the Enterprise. There's in-built tension here before the plot even gets going. Then the idea of the rapid-onset aphasia is great. Though it's a shame they gave the game away so early with that shot of the doohickey in the replicator - why the hell did they make that choice?! It feels like the whole thing is set up to drop subtle but fair hints and then have a nice reveal when Odo catches Quark and works it out, but then they decided that audiences were too thick or impatient to wait fifteen minutes? Anyway, after that, I was looking forward to a Darmok style episode where the crew quickly fall victim to the virus and have to find non-verbal ways of communicating and solving the problem. Instead they all catch it very slowly and, conveniently, after providing their individual contribution to the solution, and then drop out of the story. The language aspect to the virus may as well not be included, they could just instantly fall unconscious for all the plot function they have once they become symptomatic. So yeah, a very slow investigation and a vague last-minute ticking clock didn't really stand up to my expectations.

DS9 S01E06 'Captive Pursuit' Stardate Unknown Broadcast date 1993-01-31.
I really enjoyed this one! It was a bit slow, but in a considered, purposeful way. I liked the Enemy Mine style growing friendship between O'Brien and Tosk (curiously similar reptilian alien name to Bossk!), the designs and culture of the new races, and just as I thought it was running out of steam, they had O'Brien come up with a smart solution. Guest actors were good, too.
I did think it was a little odd that they had that opening bit about Quark legally obligating his staff into sleeping with him only to not only immediately drop it but then have a couple of sympathetic comedy scenes with him. Stuff that didn't get thought about as much in early 90s tv, I guess.
It's funny that they've come up with this way to still have them encounter new species and have to think about the Prime Directive etc in the same way as the Enterprise shows - they just have the strange new worlds come to them via the wormhole!

DS9 S01E07 'Q-Less' Stardate 46531.2 Broadcast date 1993-02-07.
This is a rough one.  A complete waste of Q (I normally like his episodes and it was pretty cool to see him show up on DS9!) and aside from him a very dull and predictable episode. I think I liked Vash okay on TNG too, and she didn't get much to do here either.
The only good bit was the Promethean stone thing turning out to be an egg instead of just exploding. Even the "Picard never punched me!" scene was worse than I remember, because Q literally puts Sisko in a boxing ring with him and punches him several times. I expect Picard probably would have punched him at that point. I had it in my head as happening in Sisko's office, Q saying something particularly obnoxious and getting caught off-guard by a Sisko haymaker. (I probably was also picturing bald goatee Sisko!)
Also, I'm not sure why, but the SD/HD gap was much more noticeable this episode, it as pretty ugly. That opening scene especially felt like watching a contemporary episode of Neighbours.

DS9 S01E08 'Dax' Stardate 46910.1 Broadcast date 1993-02-14.
Just watched the cold open and uh oh ,think I'm starting to dislike Bashir. The 'hopeless romantic/gadabout' act is starting to curdle into creepy, and he was absolutely fucking useless in that fight. Almost knocked himself out against a wall by punching someone and then just stopped fighting because, what, he was so surprised that his opponent was a woman? It's the 24th fucking century, Julian!
Turned out to be a solid episode. Trials and hearings are always strong ground in Trek, and this one works nicely with the symbiotic nature of Trills giving it some unique things to argue about, and the different members of the crew going off to investigate different areas (even if really only Odo did much there). And wow, what a guest cast - Gregory Itzin, Fionnula Flannigan and Anne Haney, all doing good work. Oh, also cool to see DC Fontana get a credit on another Trek show!
Really the main drawback here was that it was fairly obvious what the truth was as soon as Enina confirmed that someone leaked the route - it's going to be someone we know about and that list is limited. Plus the overplayed sad look a few moments later when she hears Curzon Dax died makes it obvious that they were lovers, so Jadzia is keeping quiet to cover for her. Admittedly, though, I did guess that this meant Enina leaked the route, so I didn't get it 100% but then it's a bit weird that the general leaked his own route so I'm not surprised I didn't guess that. I suppose the implication is that he wanted them to pick him up so he could escape with them?
Also, might have been nice to get this episode after we'd gotten to know Jadzia a little better so we'd be invested despite her silence and we'd have experienced the quirks of Trill life directly a bit more.
Anyway, enjoyed it, and I continue to enjoy them experimenting with what this show can be. Feels like they have a LOST style approach at the moment - we have this ensemble of characters with different jobs, strengths etc, so at any time we can do a different genre of show.




group-watch in progress

Saturday, 7 June 2025

Conclave (2024)

SPOILERS BELOW

Looks and sounds lovely, lots of strong performances, but it inexplicably gives up at the end. Turns out the obviously corrupt guy probably did all the corrupt stuff (though he denies it and we never get full closure on that), the obviously awful guy is so awful he wants to start a war against Islam, and the lovely charity in war-torn countries guy is really lovely. But then a twist! The lovely guy is so lovely that he's intersex. The end. Why spend the whole movie acting like a mystery thriller and then not give it a proper ending? Why didn't we ever meet the mysterious Morales, why didn't it turn out the pope was murdered, why didn't we at least get a confession? It's so utterly unsatisfying, which I wouldn't mind so much if the underneath all the lovely dressing the film was anything other than 'detective story in the Vatican'.

Rating: lovely presentation, letdown of an ending.

Tuesday, 3 June 2025

Here (2024)

And I thought Nickel Boys' central conceit was distancing...

This just does not work. It's like a combination of a John Lewis Christmas ad and a flashback episode from a show like Lost where they use shorthand to show you all a character's important life events, but it goes on for 100 minutes. The frame-in-frame mechanic is the least imaginative transition method they could have come up with, and it feels so stiff, just like everything else in the movie - the acting (especially but not exclusively when via CG de-aging), the blocking where everyone steps perfectly into frame for their big speeches, the dialogue where historical echoes and period-establishing elements and hints at future illnesses are delivered with all the subtlety of a cheap animatronic park ride, and the centuries-old exterior settings feel about as real as a school play backdrop.

I can imagine a version of this that might have worked, if the transitions were more inventive, the dramatic moments smaller, the staging messier, the Forrest Gump of it all reduced. But alas.

Also, they should have left that tidal wave in.

Rating: stiff, cheesy, shallow.